Course Offerings by term

Course Offerings

Introduces the methodology of Gender Studies and the theory upon which it is based. Examines contemporary debates across a range of issues now felt to be of world-wide feminist interest: sexuality, reproduction, production, writing, representation, culture, race, and politics. Encourages responsible theorizing across disciplines and cultures.


DayStart TimeEnd TimeRoom
Tuesday
10:35
11:55
PL-1
Friday
10:35
11:55
PL-1

Examines how experiences of Paris have been committed to the page from the first century to the present. Considers the uses and effects of overviews, street-level accounts, and underground approaches to describing the city and its inhabitants. Includes visits to the sewers and museums, revolutionary sites and archives, with multiple members of the comparative literature faculty speaking on their areas of expertise.
http://www.aup.edu/paris-through-its-books


DayStart TimeEnd TimeRoom
Monday
10:35
11:55
SD-6
Thursday
10:35
11:55
SD-6
Thursday
09:00
10:20
VISIT-1

Examines how experiences of Paris have been committed to the page from the first century to the present. Considers the uses and effects of overviews, street-level accounts, and underground approaches to describing the city and its inhabitants. Includes visits to the sewers and museums, revolutionary sites and archives, with multiple members of the comparative literature faculty speaking on their areas of expertise.
http://www.aup.edu/paris-through-its-books


DayStart TimeEnd TimeRoom
Monday
13:45
15:05
VISIT-1
Monday
15:20
16:40
G-L21
Thursday
15:20
16:40
G-L21

In Art of Screenwriting students consider the elements necessary for successful screenwriting practices, with close attention to the theory of screenwriting as influenced by other arts. In particular, a close emphasis of the course is on the art of narrative and the central role played by adaptation of novels in screenwriting practice. Character development, structure, dialogue and conflict are analyzed through exemplary scripting such as in the works of Jane Campion, Roman Polanski and others. The course culminates in a hands-on guided approach to scriptwriting by students.


DayStart TimeEnd TimeRoom
Monday
16:55
19:50
M-L04

From the Romantic period, covers major examples of: prose - the transition from the 19th century models to Modernist experimentation; poetry - the development of modern poetic form and the fortunes of European hermetic influence in an increasingly politicized century; and drama - examples of absurdist and left-wing drama which have dominated the British stage since the 1950s.


DayStart TimeEnd TimeRoom
Tuesday
13:45
15:05
G-102
Friday
13:45
15:05
G-102

How do words change when we use them on and offline? What happens to writing and reading when we move between physical books and digital environments? What are the relationships between Literature and the Internet?  How do ‘traditional’ or ‘canonical’ literary works dialogue with social media, computer games and Google-generated poetry? What does it ‘mean’ to ‘read’ ‘books’ in the third decade of the twenty-first century? 


DayStart TimeEnd TimeRoom
Tuesday
15:20
16:40
G-207
Friday
15:20
16:40
G-207

In this course, students practice writing fiction, creative nonfiction, and poetry while exploring the boundaries between genres. The workshop format includes guided peer critique of sketches, poems, and full-length works presented in class and discussion and analysis of literary models. In Fall, students concentrate on writing techniques. In Spring, the workshop is theme-driven. May be taken twice for credit.


DayStart TimeEnd TimeRoom
Monday
16:55
19:50
PL-2

This course is bilingual in nature and outlines the historical and literary contexts of the Renaissance from a Franco-centric perspective. Students will study texts by a range of Renaissance authors (including Erasmus, Rabelais, Marguerite de Navarre, Louise Labé, Montaigne, Marlowe and Shakespeare) while learning about earlymodern book culture, medicine, cartography, religion, colonization, magic, monsters, witchcraft and plagues. They shall also seek to comprehend how France became dominant in language and literature throughout Europe for centuries to follow.


DayStart TimeEnd TimeRoom
Tuesday
13:45
15:05
SD-3
Friday
13:45
15:05
SD-3

This course addresses the dark side of the imagination: monsters, vampires, hauntings and demons. It opens students to the history and genealogy of the fascination with excess, the supernatural, and horror, tracing the development of a genre from its 18th- century inception through to its late bloom in the Victorian era; leaving it to students to pursue through their pick of twentieth- and twenty-first gothic. Authors studied include Horace Walpole, Matthew Lewis, the Marquis de Sade, James Hogg, R.L. Stevenson, Henry James, and Bram Stoker. The course also attends to visual representations of gothic in painting, ballet, television, and film.


DayStart TimeEnd TimeRoom
Monday
10:35
11:55
G-113
Thursday
10:35
11:55
G-113

Studies in the literary works, poetic aspirations and legal trials of Flaubert, Sand, and Baudelaire, while tracing their tremendous influence on the 19th-century French literature and their contribution to the emergence of modernity. Readings include Indiana, Madame Bovary, Trois contes, Bouvard et Pecuchet, and Baudelaire's Les Fleurs du Mal among other works, as well as a range of critical and philosophical commentaries.


DayStart TimeEnd TimeRoom
Monday
10:35
11:55
C-101
Thursday
10:35
11:55
C-101