Course Catalog

RENAISSANCE ART & ARCHITECTURE (AH2013)

Surveys notable developments in painting, sculpture, and architecture in Italy and in Northern Europe (late 13th-16th centuries). Emphasizes the origins of the Renaissance and the basic stylistic evolution from Early to High Renaissance and Mannerism. Explores the ramifications of the Italian Renaissance mode as it came into contact with other historical and cultural traditions in Northern Europe. AH 1000 and AH 1020 are strongly recommended as prerequisites.

BAROQUE & ROCOCO ART & ARCHITECTURE (AH2014)

Examines the dynamic and often militant Baroque style in Counter-Reformation Italy and its national variants in France, Spain, and Flanders. Traces the development of new and different modes of expression in the emerging Protestant Netherlands. Explores the evolution from Baroque to Rococo as well as the arts of the 18th-Century in France and England. AH 1020 is strongly recommended as a prerequisite.

BAROQUE & ROCOCO ART & ARCHITECTURE (AH2014)

Examines the dynamic and often militant Baroque style in Counter-Reformation Italy and its national variants in France, Spain, and Flanders. Traces the development of new and different modes of expression in the emerging Protestant Netherlands. Explores the evolution from Baroque to Rococo as well as the arts of the 18th-Century in France and England. AH 1020 is strongly recommended as a prerequisite.

19TH & 20TH CENT. ART & ARCHITECTURE (AH2016)

Introduces the principal arts and aesthetic issues of the 19th and 20th centuries from the French Revolution to World War II. Studies artists such as David, Turner, Monet, and Picasso, as well as movements such as Romanticism, Impressionism, and Surrealism, stressing continuities beneath apparent differences of approach. Regular museum sessions at the Louvre, the Musee d'Orsay, and the Centre Pompidou. AH 1020 is strongly recommended as a prerequisite.

19TH & 20TH CENT. ART & ARCHITECTURE (AH2016)

Introduces the principal arts and aesthetic issues of the 19th and 20th centuries from the French Revolution to World War II. Studies artists such as David, Turner, Monet, and Picasso, as well as movements such as Romanticism, Impressionism, and Surrealism, stressing continuities beneath apparent differences of approach. Regular museum sessions at the Louvre, the Musee d'Orsay, and the Centre Pompidou. AH 1020 is strongly recommended as a prerequisite.

ART AND THE MARKET (AH2018)

Investigates economic and financial aspects of art over several historical periods. Examines painting, sculpture, drawing, and decorative arts as marketable products, analyzing them from the perspective of patrons, collectors, investors, and speculators. Studies artists as entrepreneurs. Assesses diverse functions and forms of influence exercised by art market specialists: critics, journalists, public officials, auctioneers, museum professionals, experts, and dealers.

INTRO TO ISLAMIC ART & ARCHITECTURE (AH2024)

The aim of this course is to introduce students to the multifaceted and dynamic character of Islamic art by focusing on the highest achievements of the major dynasties. The time frame will span over one thousand years and, geographically, will cover lands from the western Mediterranean to the Indian subcontinent. Lectures will concentrate on the most representative monuments and works of art from each period. After examining the distinguishing features of the art and architecture of the principal dynasties, their salient characteristics and their greatest contributions to Islamic art as a whole, it should become evident that the field is both full of striking diversity and overall unity.

INTRO TO ISLAMIC ART & ARCHITECTURE (AH2024)

The aim of this course is to introduce students to the multifaceted and dynamic character of Islamic art by focusing on the highest achievements of the major dynasties. The time frame will span over one thousand years and, geographically, will cover lands from the western Mediterranean to the Indian subcontinent. Lectures will concentrate on the most representative monuments and works of art from each period. After examining the distinguishing features of the art and architecture of the principal dynasties, their salient characteristics and their greatest contributions to Islamic art as a whole, it should become evident that the field is both full of striking diversity and overall unity.

IMPRESSIONISM - POST-IMPRESSIONISM (AH3000)

Discusses the stylistic and thematic concerns of Manet, Monet, Degas, Pissarro, and Renoir, in the context of artistic theory and practice in mid-19th-century France. Analyzes the art of Gauguin, Van Gogh, CÈzanne, and Seurat as responses to impressionism. Classes at the Musee d'Orsay are scheduled regularly. AH 1020 is strongly recommended as a prerequisite.

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